Recorded, mixed & mastered 07 Jun 2019, 27 Oct 2021 & 09-10 Feb 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.
Process notes
09 Feb 2024
I have a 5-track Live template for my Bubble Memory project name, so I loaded a windy backyard recording of a kalimba & a glass from Oct 2021 into that. I split the backyard recording into the two tracks I have set aside for field recordings. Each has tons of processing loaded in already. The template includes kick and snare parts so I started by creating a minimal beat that might hopefully hold this thing together and added some lesser probability to those notes.
I also have a Simpler track in the template so I loaded some of he backyard recording into that one too. I found the entire thing too constantly noisy and wrote some ideas to my notes about gating & adjusting some of the effects before shutting down for the night.
10 Feb 2024
Loading this back up, I first worked on adding some gates to a few of the tracks to thin out the noise bits. I added an iAbyssal recording I made in 2019 to the final track in the template. Added sparingly both an Arpeggiator to the Simpler track & a Note Repeat to the drum track. Then I worked a bit on other automations, including panning. This felt like it was done and I rendered both a mastered and unmastered mix for later use and for this Junto. It still felt like wind to me.
Artwork: From the LIRR, NY, USA, 27 Jan 2011, by Jim Lemanowicz
©2019, 2021, 2024 Jim Lemanowicz
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This original version of “Brown Paper Lips” was submitted as part of Disquiet Junto Project 0632: Shear Wind. The Assignment: Make the most of the disturbance within a field recording.
More on the Disquiet Junto at: disquiet.com/junto/
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Jimmy Lem - Blister Pop Unlimited 