Tag: IFTTT

https://ift.tt/CFgL3lD

“Cactus, O Cactus” by Antlers Spread Wide

Contains recordings by Tristan Louth-Robins, Thomas Undermulden, Hugh G Prat, Jonathan Zorn and Bo OhWell
Mixed & mastered 30 Jun 2022 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Process notes –
Along with my own submission for 0609, I grabbed pieces of the following
– [Disquiet_Junto_0609] Refactored Drift (60 bpm) by Tristan Louth-Robins
– Sleep Spindles (disquiet0609) by undermulden
– Upeow (disquiet0609) by Hugh G Prat
– Disquiet0609 60bpm by Jonathan Zorn
– Shadow Clocks [disquiet0609] by OhWell

After roughly tuning the tracks to something approaching C, I chopped chunks out of each, shortened these to 1 min total length from different starting points, chose different warp modes in Live and then stretched all 6 tracks to 2 min. I added some effects, including some to add pitchiness to non-tonal material. I used Max for Live to modulate some parameters while others were manually automated, then cut more chunks out. I accepted my rough mix and ran these through a variation of my Ozone 9 mastering chain.

—–

This original version of “Cactus, O Cactus” was submitted as part of ​Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/
https://ift.tt/CFgL3lD

https://ift.tt/sabNQ5H

Recorded, mixed & mastered 31 Aug 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2023 Jim Lemanowicz

Process notes – iPad, AUM, Fugue Machine generating notes into MF Randomizer and ScaleBud 2 into Erik Sigth’s strng synth engine and then a bus track.

Other Desert Cities & Shaper were effects used.

I recorded at 45.1 BPM and imported the two wav files into Ableton Live 11 Suite. There I time-stretched the audio to 60 bpm using the Beats warp mode with short transient envelope times and then added a gate to my standard channel group. I added my standard mastering group (Live native effects and Ozone), widened the stereo panorama to 110% and rendered to WAV & MP3.

—–

This original version of “Please My Parching Tongue” was submitted as part of ​Disquiet Junto Project 0609: Speed Limit Pt 1. Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/
https://ift.tt/sabNQ5H

https://ift.tt/0XzHV7r

Recorded, mixed & mastered somewhere between 10pm and midnight on 11 Aug 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. Raw recording is from 11 Aug 2019.

©2023 Jim Lemanowicz

Process notes – For raw material, I used a recording of mine from 11 Aug 2019 of what I believe is Erik Sigth’s nils and Retronym’s Tabletop and probably recorded on an iPad 4. The original recording was about 4:45 min long.

I took this recording and loaded it up into a template I created in Ableton Live from last week’s project. I divided the recording into two tracks and stretched each out, chopped each into three and did some Live warp & crossfade magic on them to make the audio more or less percussive. Each track also received a Buffer Shuffler 1.0 device set to a 20 step pattern with only 5 steps active (aka 25%).

Each track went through different chains of effects, emphasizing some subtle resonance and distortion. Each effects chain ended with a gate device. I can’t say for sure that it is 25%/75% but its pretty freaking minimal.

—–

This original version of “Spaces In Transition” was submitted as part of Disquiet Junto Project 0606: Three to One. The Assignment: Compose a piece of music with three times as much silence as sound.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/
https://ift.tt/0XzHV7r

https://ift.tt/AIdFaUi

Recorded & mixed 06 Aug 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. This was day 1230 of the ongoing 100 Day Project.

©2023 Jim Lemanowicz

Process Notes –

This started as a one-note pattern on iPad/AUM/Fugue Machine that was equal parts rests and notes. Running it through MF Randomizer and Scale Bud 2, I split this into three channels – two instances of Strng by Erik Sigth and one instance of iceWorks Kronecker clockwork synth, each individually recorded and also summed to a 4th bus channel.

I copied the first Strng channel and the bus over to Ableton Live 11 Suite.

I then ran these through Stutter Switch by Amazing Noises, Erosion, Gate, Resonator and Redux by Ableton with Erosion, Redux and Resonator progressing through different automations.

—–

This original version of “Manner Of Displacement” was submitted as part of ​Disquiet Junto Project 0605: Fifty Fifty. The Assignment: Compose a piece of music with as much silence as notes.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

Look for me at patreon.com/blisterpop – patrons get my albums for free!
https://ift.tt/AIdFaUi