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Music

Magnitude Of Characteristic Difference To Upper (disquiet0707)

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I discovered the freedom in looking at things as “different” instead of “better.”

Recorded, edited, mixed & mastered on 19/20 Jul 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Voice, effects

Photography/Art – Jim Lemanowicz, 10/14/20 Jul 2015, Massapequa, NY, USA

Music & art © 2025 Jim Lemanowicz

This original version of “Magnitude Of Characteristic Difference To Upper” was submitted as part of Disquiet Junto Project 0707: Book Start. The Assignment: Make music from how you make music.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 707th weekly Disquiet Junto project, Chain of Practice — The Assignment: Make music from how you make music — at https://ift.tt/VikxKDT

#disquietjunto #disquiet0707 #difference #better #soundart #electronicmusic #sounddesign #ableton #samples #chain #voice
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Music

Can I Have A Camel Custard?

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Recorded, mixed & mastered on 11 Nov 2020 & 17 Jul 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, pedals, effects.

This original version of “Can I Have A Camel Custard?” was submitted as part of Naviar Haiku 602: Scent Of Plum.

scent of plum
in a flash of rising sun!
the mountain path

by: Matsuo Bashō

Photography/Art – Jim Lemanowicz, 18 Nov 2018, LIRR, NY, USA

Music & art © 2018, 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://ift.tt/9jHXVS0
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Music

You Some Ugly Child (disquiet0705)

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Recorded, edited, mixed & mastered on 04 & 05 Jul 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Synths, effects

“Run here, my towhead grandchillen, and let this geezer dandle you upon his knee.” – Lester Bangs

The first sentence in Lester Bangs’ posthumous collection “Psychotic Reactions and Carburetor Dung” is also the first sentence in the essay with the same title. While ostensibly a record review of the Count Five, it’s more accurately a work of fiction. Since the early ’90s, I haven’t read many complete books beyond instructional ones—instead, I graze for inspiration and create my own works. So I pulled out a Kindle app, scrolled until I found a past favorite and here I am.

What I tried to do is capture all sorts of miscommunication—be it literally Lester imagining himself a grandfather (something I don’t believe he ever became), or the way he writes in a way he does not speak. Or my own generation (X) trying to figure out the noise of the generation prior (“who cares about Woodstock when there was Love, garage punks, Pet Sounds and the VU?” was my way of thinking at approximately 20). Or how some of this has not aged well since Lester wrote it, and I know he, being of some conscience and allowing himself revisions and growth might approach it differently now. In the same book, read “The White Noise Supremacists” to experience him struggling with it an emerging skinhead culture. Then, perhaps, how people younger or otherwise different than myself would react to this writer.

The title is an obvious nod at Lester’s stolen vernacular and also a reference to an anonymous woman long ago who left a message on an answering machine of my co-improviser where the outgoing message was a snippet of some improv we’d done. She left a message that it was “ugly music.”

The synths I used here are; Cherry Audio’s ARP 2600 & Minimoog emulations; Arturia’s DX7; Korg’s M1; and the Puremagnetik Klome through a Moogerfooger filter and other things for the textural, almost percussive stuff.

Photography/Art – Jim Lemanowicz, 31 Jan 2015, Marjorie Post Park, Massapequa, NY, USA

Music & art © 2015, 2025 Jim Lemanowicz

This original version of “You Some Ugly Child” was submitted as part of Disquiet Junto Project 0705: Book Start. The Assignment: Let the beginning of a book help you begin a new piece of music.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 705th weekly Disquiet Junto project, Book Start — The Assignment: Let the beginning of a book help you begin a new piece of music — at https://ift.tt/iCs2FVP. This week’s project was proposed by Neil Stringfellow.
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Music

Ultraviolet & Longing Whisper (naviarhaiku600)

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Recorded, mixed & mastered on 03 Jul 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, effects.

This original version of “Ultraviolet & Longing Whisper” was submitted as part of Naviar Haiku 600: Thinking Of Us.

thinking of us
the sound of wind
among the pines

by: Andrea Cecon

Andrea Cecon is a hearing aids technician, a traveler, and a haijin published all over the world. His first ebook won 3rd place in the Sharp Writ Book Awards contest in 2011 (category: poetry). Residing in Cividale, Italy, with his wife, Russian haijin Valeria Simonova-Cecon. He finds his inspiration in memories, travels, and everyday life…

Photography/Art – Jim Lemanowicz, 31 Jan 2015, Marjorie Post Park, Massapequa, NY, USA

Music & art © 2015, 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://ift.tt/Mu9kUNy
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Music

I Dreamed I Flew With Segmented Angels (naviarhaiku598)

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Recorded, mixed & mastered on 20 Jun 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, effects.

This original version of “I Dreamed I Flew With Segmented Angels” was submitted as part of Naviar Haiku 598: After The Typhoon.

after the typhoon
I walk around alone –
sunshine everywhere

by: Hosomi Ayako

Hosomi Ayako (1907–1997) was a prominent haiku poet from Aogaki, Hyogo. After a series of personal tragedies, including the deaths of her husband and mother, she found solace in haiku during an illness. She later married Sawaki Kinichi, leader of the modern haiku group Kaze, and was deeply involved in the haiku community until her passing at 90.

Photography/Art – Jim Lemanowicz, 19 Jun 2025, Merrick Rd, Massapequa, NY, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://ift.tt/mGJP2f9
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Music

Twenty-Four Hour Water-Bug (disquiet0703)

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Recorded, edited, mixed & mastered on 14/16/19 Jun 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Synths, drum machine, effects

My definitions of “difficult” are always changing. Case-by-case. Here I will explore the act of moving forward even though I am SURE that I am stuck, showing up and finishing against my best judgement. Since when has good judgement had anything to do with music?

I usually put myself in a situation based on accident or randomness and then listen to what it wants and build from there. From this I gather basic elements to group together pieces that have their own internal meaning to become albums. The concepts grow into their own unique world as I record more within that world. By “basic elements” I mean anything from vague notes in Obsidian or Notion to DAW templates to a set of common audio source material – all with enough wiggle room to be interesting as I progress through recording, listening to the WIP and then finishing albums.

Sometimes though, my thoughts get in the way and I get stuck. My way of handling getting stuck is to document what I am doing as best as I can and then just start something else entirely. As I have gotten older I have become less precious with my work. I listen back to things that I thought were terrible and find interesting things about them. I happily find myself going back to things and completing them eventually, time willing. I guess I consider that “getting stuck” is just part of “listening to what a situation wants.” The situation wants me to be stuck?

For this piece, I decided to move forward with the piece and not stay stuck.

I ended up doing two mixes. One shorter one for us here and another for the album. My album versions are always different than anything I may have put on Soundcloud earlier — (typically the seed/genesis of an album that grows later) but it is rare that I finish both on the same day. So I am sort of multitasking, too. Something I think we humans are all pretty bad at.

What’s in this one – same basic elements as last week – a PO-12 Pocket Operator, a Volca FM gen 1, some Arturia CS-80 and SQ-80.

Photography/Art – Jim Lemanowicz, 26 Jun 2015, St. Patrick’s Old Cathedral, Mulberry St, NYC, USA & 12 Jun 2025.

©2015, 2025 Jim Lemanowicz

This original version of “Twenty-Four Hour Water-Bug” was submitted as part of Disquiet Junto Project 0703: That’s How You Got Killed Before. The Assignment: Revisit something that you just couldn’t get to work last time.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 703rd weekly Disquiet Junto project, That’s How You Got Killed Before — The Assignment: Revisit something that you just couldn’t get to work last time — at https://ift.tt/G5SCfbl
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Music

Undergo The Friction For Me (naviarhaiku597)

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Recorded, mixed & mastered on 12/13 Jun 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, drum machine, effects.

This original version of “Undergo The Friction For Me” was submitted as part of Naviar Haiku 597: Orchids By Night.

orchids by night –
within their fragrance looms
their blossoms’ white!

by: Yosa Buson

One of the four great haiku masters, Yosa Buson studied both Japanese and Chinese poetry. He was also an accomplished painter, and most of his poems were accompanied by paintings, resulting in a more diverse and individual set of works than the one by his main historical influence, Basho.

Photography/Art – Jim Lemanowicz, 26 Jun 2015, St. Patrick’s Old Cathedral, Mulberry St, NYC, USA & 12 Jun 2025.

©2015, 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see [www.naviarrecords.com/haiku-music-challenge](https://gate.sc/?url=https%3A%2F%2Fwww.naviarrecords.com%2Fhaiku-music-challenge&token=b0f243-1-1747861126080)
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Music

The Fierce Alignment Of Apple Globule Soup (disquiet0702)

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Recorded, edited, mixed & mastered on 12 Jun 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Synths, drum machine, effects

Photography/Art – Jim Lemanowicz, 26 Jun 2015, St. Patrick’s Old Cathedral, Mulberry St, NYC, USA & 12 Jun 2025.

©2015, 2025 Jim Lemanowicz

This original version of “The Fierce Alignment Of Apple Globule Soup” was submitted as part of Disquiet Junto Project 0702: Chain of Applications . The Assignment: Make music by misusing a piece of music software.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 702nd weekly Disquiet Junto project, Chain of Applications — The Assignment: Make music by misusing a piece of music software — at https://ift.tt/tQNWjaw
https://ift.tt/WRPoIAY

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Music

Usually May Disappear (disquiet0701)

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Edited, mixed & mastered on 06 Jun 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Synths, effects

Photography/Art – Jim Lemanowicz, 06 Jun 2015 & 06 Jun 2025, Massapequa, NY, USA

©2015, 2025 Jim Lemanowicz

This original version of “Usually May Disappear” was submitted as part of Disquiet Junto Project 0701: Gap Ear. The Assignment: Break apart a piece of music and fill the resulting spaces.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 701st weekly Disquiet Junto project, Gap Ear — The Assignment: Break apart a piece of music and fill the resulting spaces — at https://ift.tt/ntIU9TC

#disquietjunto #disquiet0701 #disappear #soundart #electronicmusic #sounddesign #ableton #layers #gap #ear

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Music

Navigation Problem No. 1 (naviarhaiku596)

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Recorded, mixed & mastered on 04 Jun 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, effects.

This original version of “**Navigation Problem No. 1**” was submitted as part of Naviar Haiku 596: Spring Dream…

spring dream…
not becoming unhinged
is what’s unbearable

by: Konishi Raizan

Konishi Raizan was a famous haiku poet of the Genroku period (1688-1704). He was a disciple of Nishiyama Sōin, and after his death, his works were anthologized in Imamiyagusa, which was published in 1734. He wrote this poem after the death of his only son.

Artwork/Photography – Jim Lemanowicz, 17 Jun 2023, Massapequa, NY, USA & 04 Jun 2025

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see [www.naviarrecords.com/haiku-music-challenge](https://gate.sc/?url=https%3A%2F%2Fwww.naviarrecords.com%2Fhaiku-music-challenge&token=b0f243-1-1747861126080)

#soundart #naviarhaiku #naviarhaiku594 #experimentalmusic #spring #electronicmusic #sounddesign #ableton #unhinged #ambient #dream
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