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Recorded, mixed & mastered on 20 Mar 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Guitar, amp, effects

This original version of “Flapping Coagulabilities” was submitted as part of Naviar Haiku 585: A Splash Of Colour

a splash of colour
cherry tree petals drifting
silently falling

by: Marc Sheridan

Marc Sheridan is an ever-curious person who loves what is just around the corner: the unusual and the mysterious. Even everyday objects and scenes can always be viewed differently.

He is English but currently living in the US, and he always remembers what Ansel Adams once said, “You don’t take a photograph, you make it.” Marc believes that photography rewards him with a greater connection to everything around him.

Lately, Marc has been writing haiku, but he’s not sure whether he illustrates his photos with haiku or reveals his haiku through photography.

He has been published in numerous magazines in the US and the UK and has exhibited up and down the West Coast of the US for the past 23 years.

Photography/Art – Jim Lemanowicz, 20 Mar 2015, Massapequa, NY, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://ift.tt/IVh0yg5
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Recorded, mixed & mastered on 14 Mar 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, effects

This original version of “Never Burn” was submitted as part of Naviar Haiku 584, Heaven And Earth

heaven and earth:
neither exists apart from
snow fluttering down

by: Kajiwara Hashin

Kajiwara Hashin was born in 1864 and studied under Kyoshi. Although Hashin is not very well-known as a poet, this particular haiku that he wrote is quite popular worldwide: it was first translated by Miyamori Asataro and later by R. H. Blyth.

Drawing/Photography – Jim Lemanowicz, 30 Mar 2017, West 46th St, NYC, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://ift.tt/jzmHCcU

#soundart #naviarhaiku #naviarhaiku584 #experimentalmusic #heaven #electronicmusic #sounddesign #ableton #burn #earth
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Recorded, mixed & mastered on 13 Mar 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Chair & effects

Photography – Jim Lemanowicz, 1 Apr 2017, Hecksher Park, Huntington, NY, USA

©2025 Jim Lemanowicz

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This original version of “Mechanical License” was submitted as part of Disquiet Junto Project 0689: Supporting Players. **T**he Assignment: Elevate the presence of your non-instrument equipment.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 689th weekly Disquiet Junto project, Supporting Players —
The Assignment: Elevate the presence of your non-instrument equipment —
at https://ift.tt/V9vx30Y

#disquietjunto #disquiet0688 #chair #creak #soundart #electronicmusic #sounddesign #ableton
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Recorded, mixed & mastered on 07-08 Mar 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Tenor sax, photo theremin, reverb, echo.

This original version of “Physics Tape Parade” was submitted as part of Naviar Haiku 583, Out Of The Blue.

out of the blue
of early morning light:
a paulownia leaf

by: Ōshima Ryōta

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He’s mostly remembered for his essay “Bashō ku kai” 芭蕉句解 (‘Study of Bashō’s haiku’) published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō’s work.

Drawing/Photography – Jim Lemanowicz, 9 Apr 2018, Massapequa, NY, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://ift.tt/tXBCzTD

#soundart #naviarhaiku #naviarhaiku583 #experimentalmusic #morning #electronicmusic #sounddesign #ableton #light #paulownia
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Recorded, mixed & mastered on 07 Mar 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA & Union Square, NYC, USA.

Tenor sax, photo theremin, reverb, echo.

Drawing/Photography – Jim Lemanowicz, 9 Apr 2018, Massapequa, NY, USA

©2025 Jim Lemanowicz

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This original version of “The Reason That Nobody Cares About” was submitted as part of Disquiet Junto Project 0688: Sign Up. The Assignment: Interpret a routine public sign as a musical instruction.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 688th weekly Disquiet Junto project, Sign Up — The Assignment: Interpret a routine public sign as a musical instruction — at https://ift.tt/P4jthMG
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This original version of “Right Behind Glue” was submitted as part of Disquiet Junto Project 0687: Applied Science. The Assignment: Record a piece of music that explores physiological and behavioral techniques.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 687th weekly Disquiet Junto project, Applied Science — The Assignment: Record a piece of music that includes physiological and behavioral techniques — at https://ift.tt/M4p8TQz
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Recorded, mixed & mastered on 26 Feb 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, reverb, echo.

This original version of “Cool Your Scorching Throw Pillow, Part 73” was submitted as part of Naviar Haiku 582, Here And There

here and there
upon scorched fields
wild violets

by: Arii Shokyu-Ni

Arii Shokyu-Ni was a haiku poetess during the Edo period who began a wandering life after running away from her husband at 29 with the haiku poet Kohaku. Just like Matsuo Basho, “the Nun Shokyu” traveled to the Deep North of Japan.

Artwork/Photography – Jim Lemanowicz, 12 Feb 2023 – a view of a painting of mine from the same month named “No Plans”, Massapequa, NY, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://ift.tt/1fg0JdF
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Recorded, mixed & mastered on 20 Feb 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA & Union Square, NYC, USA.

Synths, reverb, echo.

This one just kind of happened!

Artwork/Photography – Jim Lemanowicz, 19 May 2023, Massapequa, NY, USA

©2025 Jim Lemanowicz

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This original version of “The Ether Is For Sale For Nothing was submitted as part of Disquiet Junto Project 0686: Catch Your Breath. The Assignment: Listen to yourself inhale and exhale; make music from what you sense.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 686th weekly Disquiet Junto project, Catch Your Breath — The
Assignment: Listen to yourself inhale and exhale; make music from what
you sense — at https://ift.tt/XedxO6j
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Recorded, mixed & mastered on 19 Feb 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, reverb, percussion, echo.

This original version of “Lollipop Tingle” was submitted as part of Naviar Haiku 581, Plunging My Hand

lunging my hand
into the lake…
billowing clouds

by: Kobayashi Issa

Among the four great masters of Japanese haiku, Kobayashi Issa (1763-1828) was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun.

Artwork/Photography – Jim Lemanowicz, 19 May 2023, Massapequa, NY, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://ift.tt/SAq9im5
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Recorded, mixed & mastered on 12 & 14 Feb 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, reverb, echo.

This original version of “Ribbons/Ribbon” was submitted as part of Naviar Haiku 580, Quiescence!

quiescence!
touching not the blossoms,
temple bell’s voice

by: Fuhaku

Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Artwork/Photography – Jim Lemanowicz, 14 Feb 2014, Penn Station, NYC, NY, USA & 13 Feb 2025

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://ift.tt/OvFBSTV
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